The client also had an explicit desire to create a home with a high Holiday appeal. Resulting in the Holiday feeling envisioned by the client.īy way of investment, the client, a family of 5, had purchased the adjacent lot, with the idea of creating an expansion volume on it that would accommodate the family's growing need for extra space, but which could just as easily later be separated again from the existing home, as an independent entity. The fragile appearance of the extension should underscore the pavilion feel, splitting the walkways into an indoor and outdoor course created by airy canopies acting as sunshades and covered terrace area. The living spaces in the new section are developed in contrast to the existing house as very light-rich spaces, nestled in the green character of the surrounding garden and vast landscape. The very dark and closed rooms of the existing house are reduced to secondary functions such as storage rooms, TV corner and home office. The extension for this house located at the countryside of Aalter (Flanders) was conceived as a pavilion, connected as an appendix to the existing house. It is a different idea of the web, which we might call slow web. banners, pop-ups or other distracting noise. No "click me," "tweet me, "share me,” "like me." No advertising. Behind all this there is the certainty that we can do better than the fast, distracted web we know today, where the prevailing business model is: "you make money only if you manage to distract your readers from the contents of your own site." With divisare we want to offer the possibility, instead, of perceiving content without distractions. A long, patient job of cataloguing, done by hand: image after image, project after project, post after post. ![]() Every Collection in our Atlas tells a particular story, conveys a specific viewpoint from which to observe the last 20 years of contemporary architecture. ![]() Our model was the bookcase, on whose shelves we have gathered and continue to collect hundreds and hundreds of publications by theme. So we began to build divisare not vertically, but horizontally. May be because we wanted to distinguish divisare from the web that is condemned to a sort of vertical communication, always with the newest architecture at the top of the page, as the "cover story," "the focus."Ĭontent that was destined, just like the oh-so-new architecture that had just preceded it a few hours earlier, to rapidly slide down, day after day, lower and lower, in a vertical plunge towards the scrapheap of page 2.
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